Reviewing Noura's Dream
Noura’s Dream (2019)
Written by Amira Masrour
Edited by Michael Dickens
Cast:
Hend Sabry, Lotfi Abdeli , Hakim Boumasoudi
Director and screen writer: Hind Boujemaa
Synopsis: Hend Sabry stars as a working class
woman named Noura who is raising three children while her husband is in jail. Not
satisfied in her marital life, Noura dreams of a better life with her lover
Lasaad. To make her dream come true, Noura tries to get divorced from her husband, Jamel. Yet, before fulfilling her wish, Jamel gets out of prison. Throughout
the film, we will discover whether Nour’s
dream is to be feasible or utopian
and illusory.
Genre: Noura's Dream is a Tunisian-Belgian
feature drama film that won Tanit d’Or JCC prize in 2019.
Because of the realistic aspect of the film,
the three main characters are very close to Tunisians’ everyday life. They have
portrayed their roles successfully. The film maker has chosen actors who all of
them shine in their respective roles. Hend Sabry in her role of Noura has good acting skills and she is the
right fit for the role whereas Lasaad, despite his excellent acting talent, I
believe that he is not the right fit for the role of lover.
Plot:The film opens with Noura Gargouri,
the main female character, in a romantic scene with Lasaad, her lover. We
realize throughout the film that Noura is married to Jamel, who is in jail and
then we know that she is not satisfied with her husband, bandit and
irresponsible. After his repetitive imprisonment, she loses her excitement and falls
in love with Lasaad with whom she decides to build a new life and dream about a
better future for her as well as her children. Both of them planned to get
married after she divorces Jamel. Yet, all of a sudden Jamel goes out of prison.
At this stage, actions start to intertwine and get closer to the climax. Noura
becomes unable to step further towards her dream as she is trapped incapable to
choose between her lover, husband, children or the system and society.
The plot is absolutely touching as it
deals with realistic issue that of “infidelity” and Tunisian women versus
social codes. We can notice that the flow of actions is flat and this is
compensated by the presence of Hend Sabry, alias Julia Roberts of Nile.
Throughout the film, she uses street language, wears low quality clothes and
easily slips into a working class woman skin.
As
far as the language is concerned, characters use slang and even dirty
words. This type of language is used for
emotional expression. It expresses rebellion and fury. Actually, it has an
important role in the conversation. This reminds us of the scene when Jamel
gathers his family around a dinner table and asks his eldest son whether he
knows about his mother’s love affair. He says: “for how long does your mother fuck
with Lasaad?” and the word “fuck” is usually said in the Tunisian street
language which is not common in Tunisian cinema. Despite its shocking effect on
the audience, it makes the film more authentic and real. Yet, I, strictly, do
not recommend parents to bring their children to watch this film. In fact, this
is what impells me to say that this movie has abused the innocence of children
acting in the film. I think that such expressions should not be used in front
of children because they are still unable to differentiate between acting and
reality.
We
can notice that there is a predominance of a low-key image, especially in the
middle of the film. Dark light and contrast are clearly used which adds more
dramatic effects to the movie. Through dark tones, the film director wants to show the misery and sadness in which Noura lives. Noura’s house is always
depicted dark and shadowy with no light which explains the message the filmmaker
tends to deliver. She wants to portray in a dramatic way how far working class
people and mainly women are hopeless and long unsuccessfully for a better
future. It is only at the end of the film that lights come out in the house and
this can lead us to the optimistic view of the filmmaker.
Hind
Boujemaa wants to draw our attention to several themes.
First
theme is infidelity or what is also called adultery. The movie raises the
following question: how far is love of a married person outside wedlock
legitimate? Is it considered a crime? Is it the role of the law to interfere in
personal issues like couples’ relationships?
According to the Tunisian law, any married person who is proved to have any love or sexual relation outside marriage is fined and sentenced to 5 years in prison. That is to say, infidelity is compared to a crime in the legal mind. Here, the movie denounces the puritanical aspect of the Tunisian legislation. Despite the modern aspect ornamenting the display of Tunisian life, law is still lagging behind.
According to the Tunisian law, any married person who is proved to have any love or sexual relation outside marriage is fined and sentenced to 5 years in prison. That is to say, infidelity is compared to a crime in the legal mind. Here, the movie denounces the puritanical aspect of the Tunisian legislation. Despite the modern aspect ornamenting the display of Tunisian life, law is still lagging behind.
Another highly criticized issue throughout this film is silent social codes. One of these
codes, we can mention gender inequality. Even though it is always said that a woman in Tunisia has the same rights and respect given to a man, we realize soon
that she does not. When a man commits
crimes and does illegal actions like raping, looting and so on but never
harshly condemned by society whereas if a woman does the same actions, she will
be extremely blamed and even stigmatized. Such example is clear in Jamel/Noura
relationship. The husband is not blamed for his crimes and his irresponsibility
towards his family whereas Noura is judged for her dream.
Besides,
Boujemaa puts her finger on the issue of a woman’s body in the oriental
mentality. She clearly criticizes the fact of linking body to property. A girl
in oriental countries is, firstly, owned by whoever male figure in the family
like father or brother. Then, this possession is quickly transmitted to another
revered man who is the husband. She is permitted to regain her ownership only
if she gets a release certificate known as divorce. This is why; Noura is
trying hard to get divorced to achieve her dream and own again her body.
Police
corruption is one of the behaviours condemned in this film. The movie maker
unveils policemen’s abuse of power for personal gains. This reminds us of the
scene when the investigator yields his place to Jamel’s friend to investigate
Lasaad when he is raped by Jamel.
Overall,
Noura’s Dream is a good film that I recommend
you to watch for the original issues it tackles and for its cast that are more
than professional in their acting. Yet, the audience is still unable to create
a link with the lovers. We fail by the end to identify with the characters
because they are not valorized as love scenes lack further romance and
intimacy which makes feelings of love unreal and almost not felt.
rReviewing Nour's Dream by Amira Masrour, ©2020. All rights reserved
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